Mid-key values give Charles Edward Stewart its characteristic quietness - nothing blazes, nothing disappears. Warm hues command this palette; Charles Edward Stewart favours the reds, oranges, and yellows of firelight and earth. Muted throughout, the palette achieves its effects through value and temperature rather than chromatic force. Charles Edward Stewart gives 25.0% of the composition to a single #2C1E14 - a decisive chromatic anchor. The most saturated colour, #CC8A5B, is reserved to 5.0% of the surface, where it acts as a focal punctuation. The full value range is 73 units: broad enough to build convincing three-dimensional form. This is the light Charles Edward Stewart preferred, made measurable.