Charles Demuth is strongly light-biased - shadow is suggested rather than declared. Charles Demuth tilts toward cool - blues and silver-greys carry the structural weight. All colours lean toward grey, building depth through value rather than colour punch. At 3.9%, #3A3D84 carries the palette's sharpest chromatic charge: an accent that earns its place precisely because it is withheld. A value spread of 60 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. In the context of Charles Demuth's full range of palettes, group 2 represents one movement in an ongoing chromatic dialogue.