Beatrix Potter is strongly light-biased - shadow is suggested rather than declared. Beatrix Potter balances warm and cool with remarkable evenness, giving the composition its characteristic vibrancy. All colours lean toward grey, building depth through value rather than colour punch. 25.5% of the palette belongs to #D4C4AE, a concentration that makes it the unmistakable visual centre. #644833 functions as the palette's exclamation mark: highest chroma, lowest percentage (6.6%). The value range of 54 units sits in the comfortable middle: enough depth, enough light, neither extreme. Palette 4 sits within the larger chromatic argument that Beatrix Potter's complete body of work advances.