Beatrix Potter works in the upper reaches of the value scale, creating an atmosphere of brightness and expansiveness. Beatrix Potter tilts toward cool - blues and silver-greys carry the structural weight. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. The most saturated colour, #B95D37, is reserved to 5.2% of the surface, where it acts as a focal punctuation. A value spread of 60 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 2 of Beatrix Potter's sequence - a single chapter in a chromatic story told across many works.