Mid-key values give Bart van der Leck its characteristic quietness - nothing blazes, nothing disappears. Bart van der Leck tilts toward cool - blues and silver-greys carry the structural weight. Mid-saturation across the board: the palette has colour character without chromatic excess. #050405 claims 28.4% of the surface, functioning as the work's tonal foundation. #932511 at 6.1% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. A value spread of 85 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. Palette 2 sits within the larger chromatic argument that Bart van der Leck's complete body of work advances.