Mid-key values give August Friedrich Schenck its characteristic quietness - nothing blazes, nothing disappears. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. The most saturated colour, #3B5B64, is reserved to 2.3% of the surface, where it acts as a focal punctuation. 65 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 3 of August Friedrich Schenck's sequence - a single chapter in a chromatic story told across many works.