The Day After

National Gallery, Oslo, Norway · 115 x 152 cm

Dusky Laterite
Dusky Twilight register - warm mid-darks, the palette of dusk and fading light.
Laterite Deep iron-red - the color of tropical laterite soil, oxidized and earthy.
The Day After by Edvard Munch

Color Palette

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Color Profile

Brightness
light
0
100
37.0
dark
Saturation
vivid
0
100
16.0
muted
Warmth
warm
-30
0
+50
14.9
cool
Dominant Hue
#6C514A red

Distribution

Hue — where on the color wheel
avg hue 40°
Brightness — how dark vs how light
avg L 37.0
darklight
Saturation — gray vs vivid
avg C 16.0
grayvivid

Brightness Heartbeat

Average brightness scanned top → bottom of the painting.

avg L 37.0 L = 0 L = 100

Palette Analysis

"The Day After" (1894) reads as a shadowed, mid-saturation warm palette built around Red and Warm Grey. Color weight is distributed evenly across the top three swatches. A low-prevalence accent at #BB8E6B pulls the eye.

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