Mid-key values give Anton Raphael Mengs its characteristic quietness - nothing blazes, nothing disappears. Anton Raphael Mengs tilts toward cool - blues and silver-greys carry the structural weight. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #D3AC6F - appears at just 3.9%, deployed as a precision accent against the quieter ground. The value range spans 62 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. In the context of Anton Raphael Mengs's full range of palettes, group 2 represents one movement in an ongoing chromatic dialogue.