Mid-key values give Anton Lyange its characteristic quietness - nothing blazes, nothing disappears. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Chroma is moderate: colours carry enough saturation to be read as colour, but the palette stops well short of garish intensity. #EECE68 at 19.8% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. Spanning 51 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 2 of Anton Lyange's sequence - a single chapter in a chromatic story told across many works.