Darkness anchors Andries Benedetti; light is rationed, creating dramatic contrast rather than open air. Temperature is cool-dominant, with blue and green families claiming the largest areas. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. #0C0C13 at 42.7% of the palette: an overwhelming presence that pulls all other colours into its gravitational field. The highest-chroma note - #AD7337 - appears at just 1.7%, deployed as a precision accent against the quieter ground. At 69 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. This is palette 3 of Andries Benedetti's sequence - a single chapter in a chromatic story told across many works.