Alphonse Mucha is strongly light-biased - shadow is suggested rather than declared. Temperature is balanced: the palette pits warm earth against cool sky without declaring a winner. Colours are neither washed out nor blazing; they occupy the productive middle ground of the chroma scale. #C1621C functions as the palette's exclamation mark: highest chroma, lowest percentage (6.3%). Value range is moderate at 52 units - enough contrast for legibility, not so much as to fragment the tonal unity. The palette reads as an Impressionist one - light-biased, chromatically direct, and built on temperature contrast rather than value opposition. Palette 7 sits within the larger chromatic argument that Alphonse Mucha's complete body of work advances.