Alfred William Finch keeps values measured and balanced, a hallmark of tonal restraint. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #AC812D at 7.4% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. The palette spans 41 value units: a measured range that delivers coherence over drama. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 3 of Alfred William Finch's sequence - a single chapter in a chromatic story told across many works.