Alfred Wallis is strongly light-biased - shadow is suggested rather than declared. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. All colours lean toward grey, building depth through value rather than colour punch. 31.1% of the palette belongs to #B3C1BE, a concentration that makes it the unmistakable visual centre. #998942 functions as the palette's exclamation mark: highest chroma, lowest percentage (0.9%). Spanning 54 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. In the context of Alfred Wallis's full range of palettes, group 3 represents one movement in an ongoing chromatic dialogue.