Alfred Stevens works almost entirely in the lower half of the value scale, privileging depth over brilliance. Temperature is balanced: the palette pits warm earth against cool sky without declaring a winner. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. A single dominant - #171315 at 29.1% - sets the character of the whole composition. #A77845 functions as the palette's exclamation mark: highest chroma, lowest percentage (3.3%). At 61 units of value range, the palette has the tonal breadth to sustain complex spatial readings. Together these qualities place Alfred Stevens firmly in the tonal tradition - concerned with mood and atmosphere rather than chromatic display. Palette 9 sits within the larger chromatic argument that Alfred Stevens's complete body of work advances.