Alfred Sisley is high in key: pale, luminous, and filled with optical air. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #785430 - appears at just 9.3%, deployed as a precision accent against the quieter ground. 55 units of value range underpin the palette's structural clarity: the eye always knows where light falls. Palette 8 sits within the larger chromatic argument that Alfred Sisley's complete body of work advances.