Albert Joseph Moore is strongly light-biased - shadow is suggested rather than declared. Warmth dominates - the palette of Albert Joseph Moore leans heavily on the yellow-orange-red arc of the colour wheel. Mid-saturation across the board: the palette has colour character without chromatic excess. #9F352C functions as the palette's exclamation mark: highest chroma, lowest percentage (3.7%). The palette spans 45 value units: a measured range that delivers coherence over drama. Palette 3 sits within the larger chromatic argument that Albert Joseph Moore's complete body of work advances.