Mid-key values give Albert Gleizes its characteristic quietness - nothing blazes, nothing disappears. Warm and cool tones are held in careful balance - neither family dominates, creating tension and resolution simultaneously. Chroma is held at a comfortable level - distinct colours, but no single hue is allowed to overwhelm. #E26D0F at 21.0% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. From deepest dark to palest light, the palette traverses 70 units of the value scale - a span that creates natural depth. Together these qualities point to the open-air Impressionist method: recording light rather than local colour. This is palette 6 of Albert Gleizes's sequence - a single chapter in a chromatic story told across many works.