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Alan Stephens Foster Palette 3

Dimmed Flint
Dimmed Moderate shadow - values pulled toward mid-dark, as if a light source has been reduced.
Flint Cool dark gray with a blue edge - the color of struck flint, hard and mineral.
Alan Stephens Foster Palette 3 - Dimmed Flint

Color Composition

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Colors
#02469D
31.10%
#034795
19.10%
#B89C86
9.70%
#A28572
9.60%
#866654
8.10%
#614233
8.00%
#F2F1F1
7.00%
#AFACB1
3.40%
#354E7A
2.10%
#64779C
1.80%

Palette Analysis

Alan Stephens Foster keeps values measured and balanced, a hallmark of tonal restraint. Alan Stephens Foster tilts toward cool - blues and silver-greys carry the structural weight. Mid-saturation across the board: the palette has colour character without chromatic excess. #02469D at 31.1% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. The value range spans 55 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Alan Stephens Foster's palette 3 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.

Example use cases

  • publishing
  • corporate identity
  • consumer apps
  • hospitality
  • design agencies

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