Mid-key values give Adolph Menzel its characteristic quietness - nothing blazes, nothing disappears. The palette achieves thermal balance - reds and blues, ochres and greens, each holding the other in check. Colours are neither washed out nor blazing; they occupy the productive middle ground of the chroma scale. A single dominant - #C3A97F at 37.6% - sets the character of the whole composition. Only 5.4% is devoted to #493818, yet that small allocation delivers the palette's entire chromatic tension. The value range spans 76 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The combination of mid-to-high key, balanced temperature, and elevated chroma is characteristic of Impressionist observation: light broken into its component hues. Palette 4 sits within the larger chromatic argument that Adolph Menzel's complete body of work advances.