Adolph Menzel occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. The palette achieves thermal balance - reds and blues, ochres and greens, each holding the other in check. All colours lean toward grey, building depth through value rather than colour punch. 25.3% of the palette belongs to #524D3F, a concentration that makes it the unmistakable visual centre. Only 5.7% is devoted to #9C9250, yet that small allocation delivers the palette's entire chromatic tension. At 44 units across the value scale, the palette keeps contrast readable without letting it dominate. This is palette 3 of Adolph Menzel's sequence - a single chapter in a chromatic story told across many works.