The palette of Adam Elsheimer sits in the lower register of the value scale - dense, contained, and weighted. Warm and cool tones are held in careful balance - neither family dominates, creating tension and resolution simultaneously. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. 31.7% of the palette belongs to #1D1B1B, a concentration that makes it the unmistakable visual centre. #9C5031 functions as the palette's exclamation mark: highest chroma, lowest percentage (2.4%). 63 units of value range underpin the palette's structural clarity: the eye always knows where light falls. This tonal restraint is characteristic of the Adam Elsheimer approach: colour serves light, not the reverse. This is palette 8 of Adam Elsheimer's sequence - a single chapter in a chromatic story told across many works.