Values in Abdulmejid II rest in the mid-range - neither dramatically lit nor steeped in shadow. Abdulmejid II tilts toward cool - blues and silver-greys carry the structural weight. Chroma is moderate: colours carry enough saturation to be read as colour, but the palette stops well short of garish intensity. #9E431C delivers the chromatic peak at only 2.8% - a small shot of colour with outsized visual impact. Spanning 39 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 3 sits within the larger chromatic argument that Abdulmejid II's complete body of work advances.