Values in William Wyld tilt decisively toward white, giving the palette its luminous character. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. All colours lean toward grey, building depth through value rather than colour punch. The most saturated colour, #DCC394, is reserved to 8.2% of the surface, where it acts as a focal punctuation. A value spread of 64 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 2 sits within the larger chromatic argument that William Wyld's complete body of work advances.