Mid-key values give Thomas Faed its characteristic quietness - nothing blazes, nothing disappears. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. 25.0% of the palette belongs to #77673A, a concentration that makes it the unmistakable visual centre. The highest-chroma note - #1E1914 - appears at just 10.0%, deployed as a precision accent against the quieter ground. The full value range is 66 units: broad enough to build convincing three-dimensional form. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. These proportions encode Thomas Faed's instinctive sense of how much of each quality the eye can hold.