tessellation is strongly light-biased - shadow is suggested rather than declared. Temperature is cool-dominant, with blue and green families claiming the largest areas. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #6E382D - appears at just 2.2%, deployed as a precision accent against the quieter ground. Spanning 44 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively.