Teodor Axentowicz sits in the centre of the value range, lending the palette a sense of even, sustained light. Warm and cool are kept in productive tension, creating the kind of chromatic harmony that sustains the eye. Saturation is measured and controlled, giving the palette presence without visual aggression. #D24443 at 26.0% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. From deepest dark to palest light, the palette traverses 63 units of the value scale - a span that creates natural depth. The combination of mid-to-high key, balanced temperature, and elevated chroma is characteristic of Impressionist observation: light broken into its component hues. Palette 5 sits within the larger chromatic argument that Teodor Axentowicz's complete body of work advances.