Stanis?aw Ignacy Witkiewicz is strongly light-biased - shadow is suggested rather than declared. Stanis?aw Ignacy Witkiewicz builds on cool foundations: the palette favours the blue-cyan-green arc. All colours lean toward grey, building depth through value rather than colour punch. Stanis?aw Ignacy Witkiewicz gives 32.8% of the composition to a single #DFE1E6 - a decisive chromatic anchor. Only 3.2% is devoted to #624A33, yet that small allocation delivers the palette's entire chromatic tension. From deepest dark to palest light, the palette traverses 73 units of the value scale - a span that creates natural depth. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 2 sits within the larger chromatic argument that Stanis?aw Ignacy Witkiewicz's complete body of work advances.