Light floods Paolo Uccello; the palette keeps values pale and airy across its range. Heat pervades this palette; warm chromatic identities outweigh cool ones at almost every weight. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #C9A785 - appears at just 9.2%, deployed as a precision accent against the quieter ground. A value spread of 64 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Palette 2 sits within the larger chromatic argument that Paolo Uccello's complete body of work advances.