mythological painting dwells firmly in the shadows, with no more than a whisper of light. The palette orchestrates warmth above all else - reds, ambers, and siennas take the lead. Muted throughout, the palette achieves its effects through value and temperature rather than chromatic force. 28.2% of the palette belongs to #110F10, a concentration that makes it the unmistakable visual centre. #6B3F26 functions as the palette's exclamation mark: highest chroma, lowest percentage (5.2%). The value range spans 63 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. This tonal restraint is characteristic of the Tonalist sensibility: colour serves light, not the reverse.