The palette of Michael Dahl sits in the lower register of the value scale - dense, contained, and weighted. Temperature reads distinctly warm: the reds and earth tones from Michael Dahl carry the compositional weight. All colours lean toward grey, building depth through value rather than colour punch. The dominant colour, #1A1816, takes 35.9% of the total area, establishing the overall mood before any other hue is introduced. The saturated accent, #6B4B2E, registers at 4.2% - sparse enough to feel like a deliberate surprise. A value spread of 64 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. In the context of Michael Dahl's full range of palettes, group 3 represents one movement in an ongoing chromatic dialogue.