Johan Christian Dahl is low-key throughout, a quality associated with Smoldering Cinder - deep shadows dominate the composition. Warm and cool tones are held in careful balance - neither family dominates, creating tension and resolution simultaneously. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. The highest-chroma note - #1D262D - appears at just 8.1%, deployed as a precision accent against the quieter ground. A value spread of 55 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. In the context of Johan Christian Dahl's full range of palettes, group 6 represents one movement in an ongoing chromatic dialogue.