Jean Hey keeps values measured and balanced, a hallmark of tonal restraint. Heat pervades this palette; warm chromatic identities outweigh cool ones at almost every weight. All colours lean toward grey, building depth through value rather than colour punch. The highest-chroma note - #A78A3D - appears at just 3.9%, deployed as a precision accent against the quieter ground. A value spread of 55 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Palette 2 sits within the larger chromatic argument that Jean Hey's complete body of work advances.