Jacques d'Arthois occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #54381A - appears at just 5.1%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 81 units of the value scale - a span that creates natural depth. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 2 sits within the larger chromatic argument that Jacques d'Arthois's complete body of work advances.