Howard Pyle works in the upper reaches of the value scale, creating an atmosphere of brightness and expansiveness. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. 32.4% of the palette belongs to #E6D9C6, a concentration that makes it the unmistakable visual centre. The highest-chroma note - #A45E47 - appears at just 3.3%, deployed as a precision accent against the quieter ground. The value range spans 61 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. In the context of Howard Pyle's full range of palettes, group 3 represents one movement in an ongoing chromatic dialogue.