Henri de Toulouse-Lautrec occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Yellow, ochre, sienna: warm hues that Henri de Toulouse-Lautrec deploys as the palette's primary energy. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #543225 - appears at just 9.6%, deployed as a precision accent against the quieter ground. Spanning 54 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. Henri de Toulouse-Lautrec's palette 16 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.