Hans am Ende sits in the centre of the value range, lending the palette a sense of even, sustained light. Hans am Ende tilts toward cool - blues and silver-greys carry the structural weight. A restrained, mid-chroma palette: every hue is present and legible, but nothing shouts. #C48319 functions as the palette's exclamation mark: highest chroma, lowest percentage (9.1%). A value spread of 66 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 4 of Hans am Ende's sequence - a single chapter in a chromatic story told across many works.