George Marks is high-key - luminous, open, and weighted toward light. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. #E7DECB claims 33.8% of the surface, functioning as the work's tonal foundation. At 8.6%, #D3CA8C carries the palette's sharpest chromatic charge: an accent that earns its place precisely because it is withheld. At 54 units across the value scale, the palette keeps contrast readable without letting it dominate. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 1 sits within the larger chromatic argument that George Marks's complete body of work advances.