Light floods George Inness; the palette keeps values pale and airy across its range. Cool hues prevail: blues, greens, and greys anchor the palette's emotional temperature. All colours lean toward grey, building depth through value rather than colour punch. #1C140C at 2.2% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. At 72 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 3 sits within the larger chromatic argument that George Inness's complete body of work advances.