Mid-key values give George Harvey its characteristic quietness - nothing blazes, nothing disappears. The palette achieves thermal balance - reds and blues, ochres and greens, each holding the other in check. Colours are neither washed out nor blazing; they occupy the productive middle ground of the chroma scale. Rather than a studied accent, #362903 takes 8.0% - a bold allocation that saturates the composition's atmosphere. A value spread of 58 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Together these qualities point to the open-air Impressionist method: recording light rather than local colour. This is palette 4 of George Harvey's sequence - a single chapter in a chromatic story told across many works.