George Armfield distributes its values across the middle register, creating harmony without high contrast. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. Mid-saturation across the board: the palette has colour character without chromatic excess. Only 5.4% is devoted to #EDE7C5, yet that small allocation delivers the palette's entire chromatic tension. The value range spans 56 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. Together these qualities point to the open-air Impressionist method: recording light rather than local colour. Palette 2 sits within the larger chromatic argument that George Armfield's complete body of work advances.