Values in Georg Andreas Wolffgang the Younger rest in the mid-range - neither dramatically lit nor steeped in shadow. Warm hues command this palette; Georg Andreas Wolffgang the Younger favours the reds, oranges, and yellows of firelight and earth. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The highest-chroma note - #725B35 - appears at just 4.2%, deployed as a precision accent against the quieter ground. A value spread of 62 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Georg Andreas Wolffgang the Younger's palette 1 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.