Mid-key values give Ferdinand Bol its characteristic quietness - nothing blazes, nothing disappears. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. Chroma is held at a comfortable level - distinct colours, but no single hue is allowed to overwhelm. The most saturated colour, #3B210E, is reserved to 13.5% of the surface, where it acts as a focal punctuation. At 69 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The palette reads as an Impressionist one - light-biased, chromatically direct, and built on temperature contrast rather than value opposition. This is palette 3 of Ferdinand Bol's sequence - a single chapter in a chromatic story told across many works.