Eugene de Blaas is strongly light-biased - shadow is suggested rather than declared. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Mid-range chroma keeps the palette grounded - colourful but not strident. The most saturated colour, #C19C67, is reserved to 11.1% of the surface, where it acts as a focal punctuation. At 63 units of value range, the palette has the tonal breadth to sustain complex spatial readings. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. Palette 2 sits within the larger chromatic argument that Eugene de Blaas's complete body of work advances.