Edward Moran works in the upper reaches of the value scale, creating an atmosphere of brightness and expansiveness. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. At 25.1%, #D7D8C9 functions less as a colour accent and more as a complete atmospheric environment. The most saturated colour, #563F30, is reserved to 5.4% of the surface, where it acts as a focal punctuation. The value range spans 69 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 4 of Edward Moran's sequence - a single chapter in a chromatic story told across many works.