Edward Frederick Brewtnall occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. The highest-chroma note - #36260E - appears at just 9.8%, deployed as a precision accent against the quieter ground. At 67 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Edward Frederick Brewtnall's palette 2 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.