Edvard Munch keeps values measured and balanced, a hallmark of tonal restraint. Edvard Munch tilts toward cool - blues and silver-greys carry the structural weight. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. The most saturated colour, #D1B16D, is reserved to 7.0% of the surface, where it acts as a focal punctuation. 50 units of value spread create a palette that is varied but unified - contrast in the service of harmony. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Edvard Munch's palette 11 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.