Mid-key values give Dorrit Black its characteristic quietness - nothing blazes, nothing disappears. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The highest-chroma note - #C28A64 - appears at just 8.7%, deployed as a precision accent against the quieter ground. Spanning 53 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 5 sits within the larger chromatic argument that Dorrit Black's complete body of work advances.