Olivine (#9AB973) and Sunray (#E3AB57) appear together across 5 master palettes in our corpus, most prominently in the work of Othon Friesz, Hippolyte Petitjean, and Charles Angrand and the Neo-Impressionism tradition. Painters typically deployed olivine at an average of 14% of the canvas, with sunray at 8%. Third colors most often completing the combination include Prairie gold (#E1CA7A), Copper (#B87333), and Burnt umber (#8A3324).