Field drab (#6C541E) and Zinnwaldite brown (#2C1608) appear together across 6 master palettes in our corpus, most prominently in the work of Joseph Adam, Henry Stacy-Marks, and Jacopo Bassano and the Romanticism tradition. Painters typically deployed field drab at an average of 26% of the canvas, with zinnwaldite brown at 16%. Third colors most often completing the combination include Café noir (#4B3621), Smoky black (#100C08), and Metallic Sunburst (#9C7C38).