Chinese red (#AA381E) and Maximum yellow red (#F2BA49) appear together across 6 master palettes in our corpus, most prominently in the work of Albert Bierstadt, Paul Ranson, and George Frederick Watts and the Romanticism tradition. Painters typically deployed chinese red at an average of 11% of the canvas, with maximum yellow red at 7%. Third colors most often completing the combination include Copper (#B87333), Cadmium orange (#ED872D), and Bronze (#CD7F32).
